Everyone who’s anyone will be there . . . so read on!
The three notebooks I wrote the first draft of The Piano Teacher in, and the first page. Such a long journey.
On May 7 at Shelf Life Books in Calgary, I will be launching my novel, The Piano Teacher. Beyond launching a single book in a sense I will be launching a new incarnation of myself, this time as a novelist, adding to but not necessarily replacing other incarnations which have included, to date, musician, playwright, journalist and educator. (I may be missing a few.)
I suppose one way to stay young and humble and hungry is to leave your comfort zone and try something new. (Isn’t that what the Lulu Lemon bags tell us to do?) It’s always a bit scary and there is no real safety net but the risk of failure and public humiliation is not new to me.
Over the course of my writing career which includes to date 15 plays and almost 300 newspaper columns and numerous and various magazine articles and poems, I am quite used to sharing my failures along with my few successes.
For me, hell is not failure; hell is to stop trying new things.
I found the writing of the book to be straightforward enough. It’s written in the first person, in the form of a diary, so in a sense it’s an extended monologue – very extended, in fact, it’s about 70,000 words.
I wrote it mostly in Caffe Beano in the three small journals pictured here with a mechanical pencil. Yes, it’s true, I still prefer to hand write my first drafts when time allows. After I had filled the three notebooks, I was fortunate to receive an Alberta Foundation for the Arts grant to transcribe it from those handwritten journals into my computer which was a labourious but productive process.
The only part of the journey that was difficult and even unpleasant was finding a publisher. Being an award-winning playwright seems to offer little advantage when looking for a publisher for a novel.
I only showed it to two people in this regard, and both times I got the same response, that it doesn’t have a broad enough commercial potential. Quite frankly, I was proud of that, and maybe I’m arrogant (because I’m too old to be naïve) but I think the writing holds together well enough and because it’s about a classical musician, a concert pianist, and because I assume the classical music mob is one that actually likes to read, I think I’ll be ok.
I have no illusions that I’ll make a million bucks, but I’ll at least have a work I am proud of and that I created purely on my own terms.
And so I just said “Fuck ‘em. I’ll do it myself.” And so I am, through my own boutique publishing company, B House.
I have written about B House before on this blog (see, for example, Publish and Perish in my archives). Our biggest difficulty in the past (one of many, I assure you) has been with distribution. I think I have solved that problem by having it printed in two different ways.
Locally, as we have been doing, it is being printed by Blitz Print and those are the copies that will be available at my launch May 7. Over the summer I hope to get copies to other independent book stores in Calgary (Pages and Owl’s Nest) but by and large if you’re in Calgary and wish to buy a copy, your best bet is to go to Shelf Life Books on the corner of 4th Street and 13th Avenue SW.
At the same time, the book is also available on line through Blurb.ca or Blurb.com depending where you are in the world. (As is my play Queen Lear. Other titles will be made available in this way over time. At least that’s the plan.)
If you would like to buy the book on line, simply copy and paste this link and order away:
Beside providing you with hours and hours of entertainment, it will obviously make a nice present for your child’s piano teacher, or for Aunt Mable, or for the mail man, etc. etc.
Sorry, but one has to engage in some shameless self promotion from time to time.
As I was writing this post, I heard from my dear friend Morag Northey who informed me that she is going to bring her cello and grace us with some music at my launch. Morag created the musical score and performed the role of the cellist in my play Queen Lear at the Urban Curvz production a few years ago. Her support for this novel of mine means more than I can say.
If you’re in Calgary, I would love to see you at Shelf Life Books on May 7 at 7:00 PM. There will be wine and cheese and Morag and music and I will obviously sign your copy of the book – who knows, it might be worth something some day.
And wherever you are, I would appreciate your support through my online sales. Contrary to popular belief, we artists don’t live on air. It’s nice to eat.
It began with The Brothers Karamazov which I lugged home from the second hand book store one day, it was a Saturday afternoon. This was years ago, but I remember thinking nothing else would do. Never mind that it was my third copy of the book, the third I could think of. Never mind I’d never read the other two, having given up in despair around page 24 both times. This one would be different. On the cover, The New York Times Book Review promised: “One finally gets the musical whole of Dostoevsky’s original.” I needed that. I needed the musical whole.
Feverishly, I read 24 pages then put it aside. The trouble was, there was no place to put it. The bookshelves had long been filled. Not just filled like they were meant to be, as they were when I was young and happy and the days were sweet. Now there were piles of books stacked on their sides along the shelves so you couldn’t even see the ones in behind them, let alone reach one if you needed it. I needed a new book case, desperately, but the thought of going to IKEA filled me with self-loathing and disgust, so no new book case had been procured.
The Brothers were set down on the carpet between the book cases and the coffee table in my living room. It was meant to be a temporary measure. And yet it sat there for several days and soon the entire room seemed to be organized around it. I thought of my mother who had worked so hard to put me through university, what would she think of this errant book just lying there on the carpet? Such thoughts filled me with shame and many a night I went to my poor bed and cried myself to sleep thinking of mother and the rest of the family I never saw any more. I knew deep inside that none of them would just leave a book sitting there on the floor like that. Day after day my shame and grew and my confidence began to crumble.
One day not long after, perhaps weeks, maybe months, I had stopped washing so it was hard to differentiate one day from another, I went to my favourite coffee shop where all I could afford was a cup of hot water. I couldn’t actually afford hot, so settled for lukewarm. I looked down, as I always did in those days, as looking up was too painful, and there on the bench beside me was a copy of Kafka’s The Trial. My heart raced. I felt feverish. Sweat poured from the palms of my hands and the soles of my feet. Like a condemned man, I took the book in a trembling soggy hand and stashed it into my greasy satchel and furtively made my way back to my cheap lodgings.
I lay on my couch in mortal agony, subsisting on saltines and vinegar, and read the entire book without a break. When I was finished, I hardly knew my own name. Without thinking, I set The Trial atop The Brothers Karamazov before I swooned and fell into a treacherous sleep.
It was later the same day I tired of reading a piece on monopedomania in The New Yorker and set the magazine on top of The Trial. The next day, a letter from the phone company threatening to cut me off (again) went on top of the magazine. In the laundry room I found a copy of a biography on Steven Tyler which I mean to get to someday, but for now, it sits on top of the nasty letter from the phone company, beneath a slightly damaged Penguin Pride and Prejudice.
Something sculptural and loathsome and demonic was forming in my living room. Day by day, book by book, bill by bill, magazine by magazine, the tower rose from one foot, to two feet, to six feet, until I had to stand on my tip toes to jam a Pizza 73 flyer between the top of the pile and the ceiling.
By now, the tv was obscured from my favourite place on the couch. A second tower was growing up beside the first, grounded with a two volume set of impressionistic art. Before long, it too reached the ceiling, and a third tower began. And a fourth. And a fifth. You get the idea. Soon my entire apartment was a series of precarious piles of paper and I found myself scurrying around in this maze of my own creation so that I began to feel more like a rodent than a human being.
One night, as I sat in my local bar, nursing a flat beer, my eyes yellowish with fever, reading a stale Paris Review, despite my best intentions I was joined by a local harlot who rubbed my thigh and suggested we return to my hovel for a night of passion. I had been without passion that involved a second party for so long that I unthinkingly said yes. Up the stairs we climbed to my grim dwelling place. She was afraid of elevators. I can’t blame her.
I opened the door to my apartment. She entered and saw the towers of paper rising to the ceiling. She shrieked, causing a percussion that, as if in slow motion, started the crumbling and deconstruction of the towers. Like dominoes they began to fall, drawing the attention of the neighbours and the building manager and soon we heard the wail of sirens in the distance.
I scurried out the kitchen and onto the fire escape, climbing down to the alley where I began to wander disconsolately in the rain. This was weeks ago. I wander still. The only possession I managed to salvage from the ruins?
I have an idea for a series of posts along the lines of the series I wrote last summer about ten objects that can be found in my apartment. It’s about the important books in my life, which is something I’m sure I have in common with anyone who bothers to read my blog.
The old Cincinnati Public Library. What a crime they tore it down . . .
I asked myself a few questions that I thought I should try to answer, which got me thinking about the way that books can influence an entire culture. Then I thought it would be interesting to put those questions out there and get your response and in this manner conduct an informal survey.
I would appreciate your response, and assume it would be interesting for you to take a bit of time to consider these questions. You can reply either by writing a comment directly on my blog, then it would be there for the world to see, or if that’s too much bother you can do it on Facebook.
So without further ado, here is my survey. Thanks for taking the time to take part in it. I’ll share the results and begin my series when I feel I’ve had a significant response to the survey probably in a week or so. So, here we go . . .
THE EUGENIUS SURVEY:
1. Which 5 books do you believe have changed the course of history, or at least the way that we perceive the world? Some of these will be so self-evident that no explanation will be necessary, but feel free to comment on your choices if you like. Briefly, briefly.
2. Be brutally honest: how many of these have you actually read?
3. How many of these books do you personally believe? Or believe in?
4. Irrespective of the books you listed, what is the one book that you have read that has influenced you personally the most?
5. Do you believe that a book could still be written, whatever its mode of dissemination, that could wield as much influence as any of the books on your list? If not, why not?
That’s it, that’s all. Enter once, enter often. I’ll get back to you with the results and then I will begin a series of posts about the influential books in my life.
Thanks for reading.
Here’s something that has absolutely nothing to do with anything but maybe it will get your feet moving which is never a bad thing!